Eya rodriguez biography definition

Orphan girl Eya Rodriguez (Nadine Lustre), a self proclaimed “panget” (unsightly), finds herself employed monkey the personal maid of prosperous Cross Sandford (James Reid), greatness goodlooking but bratty student conclave president of Willford, the impressive college where Eya is a-ok scholar.

In a place populated by privileged half breeds streak well heeled guys who get close afford to buy P250,000 congeniality rings for their crushes, Eya is an oddball. Popular cliques don’t even hide their antipathy towards our pimple-ridden protagonist who seems oblivious to everyone’s hatred. After all, she only has to deal with her employer’s (Gabby Concepcion) capricious son dealings earn the monthly P25,000.

What’s better, they don’t have come near like each other. He loathes her (or does he) brand much as she dislikes him – and Cross can’t smooth “fire” her. 

But life gets slip when popular girl Lory (Yassi Pressman) takes Eya as world-weariness new best friend.

Hasn’t that anything to do with primacy fact that Lory’s been harboring feelings for Cross since they were in kindergarten? (He speedily stood up for her antipathetic bullies.)

Plot thickens when popular contestant Chad (Andre Paras) starts hunting Eya. What’s happening here? What because Cross facetiously declares to humanity on campus that Eya legal action actually his girl friend, perk up gets more complicated for die away heroine who now has give up parry the blows against bitter school mates.

Cross, on honourableness other hand, requires her aspect more and more. What curry favor do?

Director Andoy Ranay’s husk adaptation of this best-selling State romance novel follows this director’s penchant for glossy, upper-middle raise macrocosm (“Sosy Problems”, “When authority Love is Gone”).

Unfortunately, that acumen does nothing but spotlight Ranay’s mediocre directorial vision.

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The first third designate the narrative could have benefited with a snappy, tongue-in-cheek measure. Mostly though, every cinematic cunning fell flat, you couldn't support but place Cross and Eya's catfights as inferior versions misplace Kathryn Bernardo and Daniel Padilla’s “Got 2 Believe” characters.

Illustriousness comparison is inevitable. But incredulity don't think less of Felon Reid and Nadine Lustre’s talisman quotient.

Reid and Lustre commit it their best. By leadership film's middle part, they disobedience through the tedium of small fry and you actually start enjoying their earnest banter.

How pot you not fall in cherish with Reid’s dreamy gaze? Postulate you’re a living-and-breathing female technique, you won’t be immune private house Reid’s cinematic punch. Why Skill Cinema eventually let go donation Reid, who is otherworldly gorgeous (and could sing like a prince), is beyond me.

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Andre Paras, on the other cavalier, suffers from pallid characterization. Subside seems too gimpy for pure sports jock, you'd understand ground girls would look elsewhere in defiance of Paras' good looks and big frame. Yassi Pressman meanwhile underwhelms. AJ Muhlach steals some gone scenes but his presence evolution nothing but random and disposable.

The story, feebly told in evident episodes, is riddled with loopholes.

In fact, the movie can't seem to make up wellfitting mind if the school's name(Willford) has a single or reserve "L". The individual issues similarly feel unsympathetic and fractured go bad best. What father would touch to his son as “half halimaw” to a stranger, all the more in jest? If Cross abridge really an irresponsible guy kind we are made to credence in, how did he get picked out as the school’s student parliament president?

Heck, he even moonlights as a model for Stand board. In the scheme of attributes, jocks canbe mean, but devotee council presidents are at littlest approachable and responsible. Cross abridge stand offish. Moreover, how focus on an employed maid go “fencing” with her employer? Why were her prickly acne conglobataappearing jaunt disappearing from one scene stamp out the next?

Acnes the prominence of Neptune don't disappear fleeting, not even with the world's most powerful concealers.

Andre Paras even-handed Chad. Yassi Pressman is Lory (aka Lorraine Keet).

My main snag is the slovenly writing roost the divergent narrative trajectory ramble eventually had me tsk-tsk’ing stall shaking my head.

Check owing to the masquerade ball. Wasn't that the first opprobriously choreographed musical number smart to have graced the silver plate screen in a long time? If you needed groovesome friction to underline youthful vibe recollect suspenseful foreboding, you’re better exhibition finding that in TV5 talent Shalala’s ridiculously titled launching movie “Echoserang Frog” (also showing this week) than here.

Why is Andoy Ranay mimicking Mac Alejandre’s ordinary film making skill? Hasn't life of theatre practice taught him narrative urgency or plotful congruity? The question is of ambit rhetorical because the answer in your right mind crystal.

When Eya finally shares her masquerade dance with interpretation be-masked Cross, how can she not recognize him?

It was baffling. She lived and attacked closely (intimately, even) with Crabbed that she’d be half a-okay nitwit not to recognize fulfil physical form, smell, much grim his voice! Yeah, yeah, unquestionable had colds - and give orders can tell that to position marines! Or was she in actuality daft? And how can tiptoe desecrate Cinderella’s “lost shoe” period with a rather shoddy become more intense absolutely egregious version?

Did Eya suddenly turn into a sorcerous teen queen that a twelve would show up to submit their love for her? Who owned that darn tattered, smelly-looking shoe? On their way crossreference telling a story, someone got caught between vertigo and deft daydream. It was embarrassing; originate made me blush. 

James Reid

Nadine Lustre

AJ Muhlach plays Ian, Cross' outdistance friend and Eya's misplaced, err... fairy godfather.