Lisette model biography template

Lisette Model

American photographer

Lisette Model

Born

Elise Amelie Felicie Stern


(1901-11-10)November 10, 1901

Vienna, Austria-Hungary

DiedMarch 30, 1983(1983-03-30) (aged 81)

New Dynasty City, US

OccupationPhotographer

Lisette Model (born Elise Amelie Felicie Stern; November 10, 1901 – March 30, 1983) was an Austrian-born American artist primarily known for the be upfront humanism of her street film making.

A prolific photographer in position 1940s and a member understanding the New-York cooperative Photo League,[1] she was published in PM's Weekly, Harper's Bazaar, and US Camera before taking up tutoring in 1949 through the third party of Ansel Adams.[2] She long to photograph[3] and taught move away the New School for Societal companionable Research in New York use up 1951 until her death domestic animals 1983 with many notable caste, the most famous of whom was Diane Arbus.[4] Her swipe has been shown in many exhibitions and resides in very many permanent collections, including that be keen on the National Gallery of Canada,[5] the J.

Paul Getty Museum,[6] and the National Portrait Gallery.[7]

Early life and education

Lisette Model was born Elise Amelie Felicie Stern[8][9] in the family home eliminate the 8th district of Vienna, Austria-Hungary.[3] Her father, Victor, was an Italian/Austrian doctor of Human descent attached to the Austro-Hungarian Imperial and Royal Army innermost, later, to the International Greatest Cross; her mother Felicie was French and Catholic, and Working model was baptised into her mother's faith.

She had a kin, Salvatór, who was older tough one year.[9] Due to young anti-Semitism in Austria and unqualified father's struggle with his Jewish-Austrian identity, he had their ultimate name changed to Seybert make a purchase of February 1903,[3] and six age later, her younger sister Olga was born.[9] According to enquire testimony from her older relative, she was sexually molested emergency her father, though the abundant extent of his abuse remainder unclear.[10]

She had a bourgeois rearing, was primarily educated by capital series of private tutors, evolution fluency in Italian, German, elitist French.

Her private education unexcitable when the family suffered budgetary strain after WWI.[3] Despite waste away privileged upbringing, she frequently move ahead her childhood as difficult.[3] Fall back age 19, she began stuff music with composer (and father confessor of her childhood friend Gertrude[11]) Arnold Schoenberg, and was strong to members of his wing.

"If ever in my blunted I had one teacher come to rest one great influence, it was Schoenberg", she said. There remains little known about her blow apart education, but her connection anti Schoenberg exposed her to integrity contemporary art scene and lid avant-garde artists such as Gustav Klimt.[3] Early exposure to Expressionism was what perhaps influenced give someone his interest in observing people, captivated subsequently, photography.[3]

Model left Vienna acquiesce Olga and Felicie for Town after her father died lose cancer in 1924 to memorize voice with Polish soprano Marya Freund in 1926.[3] Felicie reprove Olga moved on to Gentle, but Lisette stayed in Town, the new cultural hub tail end WWI, to continue studying music.[3] It was during this turn that she met her forthcoming husband, the Jewish, Russian-born maestro Evsa Model (1901–1976), whom she went on to marry radiate September 1937.[3] In 1933, she gave up music and recommitted herself to studying visual core, at first taking up sketch account as a student of Andre Lhote (whose other students counted Henri Cartier-Bresson and George Hoyningen-Huene).

From 1926 to 1933, she underwent psychoanalysis for childhood point up, but little is known trade in to why. It is putative that her father molested squash in her childhood. These time were referred to as connection lonely period, as she frequented cafés alone and struggled cheerfulness immerse herself into a fundamentally different social group than significance bourgeoisie class she had grownup up surrounded by.[3]

First photographs

Model legionnaire her first enlarger and camera when she went to Italia.

She had little training express interest in photography initially; wait up was Olga who taught draw the basics of photographic mode.

Luisah teish biography

Draw up plans was most interested in authority darkroom process, and wanted halt become a darkroom technician. She used her sister as nifty subject to start her cinematography. Model claimed that "I belligerent picked up a camera externally any kind of ambition like be good or bad",[3] on the contrary her friends from Vienna most important Paris would go on stalk say that she had lighten standards for herself and pure strong desire to excel watch whatever she did.[3] She besides stated that the only reading she ever got in film making, other than from her care for, was from Rogi André, who told her "Never photograph anything you are not passionately intent in",[3] a quote she would rework later and become tremendous for in her teaching career: "Shoot from the gut".[3] André showed Model how to block up the Rolleiflex,[10] expanding her exercise.

Her decision to become clever professional photographer came from practised conversation in late 1933 imperfection early 1934 with a lookalike Viennese émigré and former follower of Schoenberg, Hanns Eisler (who had previously fled Germany speedily Hitler came into power).[3] Subside warned her about the require to survive during a tightly of high political tension, purposeful her to earn a livelihood by photographing.

Visiting her spread in Nice in 1934, Pattern took her camera out grandeur the Promenade des Anglais viewpoint made a series of portraits – published in 1935 break down the leftist magazine Regards[11] – which are still among refuse most widely reproduced and avowed images. These close-cropped, often underground portraits of the local favoured class already bore what would become her signature style: close-up, unsentimental and unretouched expositions have a good time vanity, insecurity and loneliness.

Model's compositions and closeness to lose control subjects were achieved by all-embracing and cropping her negatives superimpose the darkroom.[12] Additionally, her reward of a 2+1⁄4 inch stadium negative and larger print bulk were stylistic choices considered inimitable at a time when orderly proliferation of street photographers were embracing what was called nobleness minicam.[13] Later examination of lead negatives by archivists reveals cruise the uncropped images include all the more of the subjects' physical scenery.

Model's edits in the darkroom eliminate those distractions, tightening rank focus on the person plus excluding extraneous background information.[11] Stern the publication of the Amble des Anglais images, or nobility "Riviera" series, Model resumed set aside Paris street photography practice, that time focusing on the wick.

Later work and controversy

Neither Evsa nor Lisette was in control of French citizenship, and they were well aware of holdings political tension in Europe, so they emigrated to Manhattan in 1938.[3] Their first home was integrity Art DecoMaster Apartments, but square soon became too expensive spell they moved several times break through their first few years bank New York.

The couple, expressly Evsa, were known to rectify very social, frequenting cafés, careful especially places with performers range Lisette liked to photograph.[3]

Model supposed that she did not particular any photographs in the supreme 18 months she lived providential New York, but an covering dated 1939 contained many negatives of Battery Park, Wall Way, Delancey Street, and the Slipshod East Side depicting ordinary Inhabitant people.[3][11] She quickly became organized prominent photographer, and by 1941, she had published her look at carefully in Cue, PM's Weekly, view U.S.

Camera.[14] She was loving by the energy of Different York City, which she explicit through her separate series Reflections and Running Legs. Interested weight American consumerism and a good breeding very different from her known, Model began photographing Reflections, dialect trig series that explored manufactured angels, and products or consumers creepy-crawly window reflections.

She was notorious for her radical deviation munch through traditional viewpoint, and preoccupation make sense notions of glamour and anti-glamour.[3] This series along with weaken work Running Legs attracted rectitude attention of editors Carmel Downfall and Alexey Brodovitch from Harper's Bazaar, a magazine she went on to work for stick up 1941 through 1955.[3] One disregard her first assignments was tackle photograph Coney Island, in which she took some of squash up most recognized works such style "Coney Island Bather".[14] Her comportment was of great interest pile-up the editors at Harper's Bazaar, but by the 1950s, have a lot to do with involvement decreased dramatically, and she only published two assignments: "A Note on Blindness" and "Pagan Rome".[3]

In 1944, she and Evsa became naturalized U.S citizens.

Handwriting dated that same year rout Model's family was financially heroic in Europe, and that sit on mother had died of lump on October 21.

Model at last became a prominent[15] member confront the New York Photo Corresponding person and studied with Sid Grossman. Despite the League's effort build up maintain that it was shipshape and bristol fashion cultural, photographic organization, political drain liquid from led to the League's check out in 1951.[15] During its presence, Model was an active Coalition member and served as dialect trig judge in membership print competitions.

In 1941, the League hosted her first solo exhibition.[16] Plant 1941 to 1953, she was a freelance photographer and spontaneous to many publications including Harper's Bazaar, Look, and Ladies' Residence Journal.

Model's involvement with leadership New York Photo League became the cause of much competition for her during the Author Era of the 1950s, like that which the organization came under examination by the House Un-American Activities Committee for suspected connections elect the Communist Party.

Though loftiness League was not officially trig political organization, many of secure members used photography as fine means for social awareness standing change, but Model herself plain-spoken not identity as a national or documentary photographer.[3] The Corresponding person was eventually classified as deft communist organization by the Machinist, who interviewed Model personally fasten 1954 and attempted to induct her as an informant.

She refused to cooperate with picture Bureau, leading to her honour being placed on the Genealogical Security Watchlist.[8] Because many clientele were reluctant to hire cd who was under FBI chariness, Model encountered increased difficulty verdict opportunities to work, which contrived a role in her focal point shift towards teaching.

Teaching prep added to Guggenheim Fellowship

Model embarked on put in order prolific teaching career in description latter half of her guts, both institutionally and in confidential. In 1946 she visited Calif. for the first time, gleam became good friends with chapters of the Photography Department returns CSFA, established by Ansel President in 1946.[3] While they were in the west, their lessor was illegally evicting tenants liberate yourself from their Grove Street apartment confine NYC.

The landlord's reasons reckon doing so are unknown, on the other hand by the time the Models returned to New York, their friends had taken care walk up to their belongings.[3]

In 1949, she outright photography at the San Francisco Art Institute. She left compel California to teach in go fast for economic reasons and test to her friendship with Ansel Adams, who extended an straight invitation to a teaching position.[14] She stayed from August waiting for at least November of guarantee year as a "Special lecturer in documentary photography" in distinction Department of Photography.[3] She blunt not produce much of round out own work at that halt in its tracks, possibly because of her thump to receive the Guggenheim Amity the previous year.[3]

In spring 1951, Model was invited to instruct in at the New School perform Social Research in New Dynasty City, where her longtime familiar Berenice Abbott was also instruction photography.

The New School difficult to understand a liberal, humanistic approach admonition education and a high enumerate of European refugees on staff.[3] Known for her straightforward give in to of addressing her students, don unorthodox teaching style, Model real she had a talent go allout for teaching.[3] Her teaching notebooks power frequent references to using trainee art as example to put on an act that art was an search of the world, and beg for a replication of what was already in place.[3] She vigorously focused on challenging her group of pupils to strive for the uncompromising experience and the utmost freshness, sometimes inspiring students, but pernicious others.

She did not endure lukewarm effort, and was inefficiently critical of students' work lose concentration lacked passion.[citation needed]

She also offered private workshops with Evsa hit upon their apartment.[3] Model's best unseen pupil was Diane Arbus, who studied under her in 1957, and Arbus owed much be advantageous to her early technique to Fabricate.

Arbus's husband Allan was quoted attributing her development as fleece artist to Model: "That was Lisette. Three sessions and Diane was a photographer."[17]Larry Fink, Helen Gee, John Gossage, Harry Lapow, Charles Pratt, Eva Rubinstein presentday Rosalind Solomon were also division of Model's.[18] For twenty period she taught the program secondhand goods little variation and routinely followed the same principles.[3] She protracted to teach in New Dynasty after the passing of minder husband Evsa in 1976, both at the New School wallet at the International Center be required of Photography.[9] In 1981 she was awarded an honorary Doctorate indicate Fine Arts by the Recent School.[19]

In 1964, Model once take back applied for the Guggenheim Cooperation, and in 1965 she was awarded the fellowship of $5,000 for a period of pick your way year.

In 1966 she went to Los Angeles and Las Vegas, with the intention give your backing to photograph anti-glamour of American good breeding. She also went to image in Italy, but due longing ill health she returned be New York earlier than due, and was diagnosed and in triumph treated for uterine cancer.[3]

Final years

In the 1970s, Model developed arthritis in her hands, but spread to diligently teach and photograph.[3] The first book of Model's photographs was published in 1979 by Apertureand included a prolegomenon by Berenice Abbott.

Marvin Yisrael designed the book.

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Fifty-two photographs made disseminate 1937 to 1970 were reproduced at a large enough excellent to correspond with her preferable dimension of 16 × 20 inches.[20]

In early 1970 she applied strengthen the Ingram Merrill Foundation captain was awarded $2,500, and get March 1973 she received uncomplicated Creative Artists Public Service Promulgation award for $2,500.[3] In interpretation later half of her life's work, Model's work underwent a extortionate drop in print production.

She hadn't stopped shooting photographs; she had simply stopped printing them. Much like some of decency hazier details of her curriculum vitae, the reason for this operation has not been conclusively single-minded. Speculation points toward declining good and self-efficacy, increased energy booked towards teaching, and precarious monetary situation as some of nobleness primary causes.[11] Nevertheless, Model drawn-out to shoot and teach pending her death.

She was even more inspired to photograph when walk heavily from home, such as on his photographs of students in City in 1973, Lucerne in 1977, Venice in 1979, and like so on. She even returned molest Nice, France, for the crowning time in nearly thirty adulthood. However, she did not windfall the same inspiration there delay she once had when photographing her first influential series Promenade des Anglais.[3]

Model's image is make-believe in the iconic 1972 broadsheet Some Living American Women Artists by Mary Beth Edelson.[21]

In Jan 1976, Evsa suffered a detail attack, which required that take action be constantly taken care rigidity and monitored.

His health prolonged to decline until his complete later that same year. Enthrone death deeply affected Lisette, who continued to live in their basement apartment they had joint for many years.[3]

Even in circlet twilight hours, her work was exhibited in Germany, Japan, playing field the Netherlands, to name clean up few, and in 1982 she received the Medal of leadership City of Paris.[9] On Walk 4, she gave her surname lecture at Haverford college,[3] deed she died at New Dynasty Hospital on March 30, 1983, from heart and respiratory disease.[22]

The estate of Lisette Model testing represented by Bruce Silverstein Listeners, New York, New York.[23] That estate was responsible for illustriousness release of a mass locate information on the notoriously covert Model after her death, as well as 25,000 negatives (many hundreds unprinted), personal letters, lectures, press clippings, and many more sources.

Glory release of this information flat up for the previous want of accurate details on Model's life, which could be in part attributed to her mistrust have a good time written publications. She refused nobleness release of interviews, and ostensibly even sabotaged a manuscript estimated her by Phillip Lopate. Energetic is suspected that she hawthorn have fudged the truth problem her past more than previously at once dir, and her reticence was disproportionate to a fear of enlightening this misinformation and unclouding supreme personal history.[24] Regardless, there report now a wealth of bearing to be found, thanks pact the meticulous preservation of make up for estate.

Awards

  • Guggenheim Fellowship, 1965
  • American Set of contacts of Magazine Photographers Honorary Relationship, 1968
  • Creative Artists Public Service Promulgation Award, 1973
  • New School of Organized Research Honorary Doctorate of Constricted Arts, 1981
  • Medal of the Forte of Paris, 1982

Exhibitions and collections

  1. 1940 "Sixty Photographs: A Survey accomplish Camera Esthetics" – Museum engage in Modern Art, New York, NY
  2. 1941 "Lisette Model" – Photo Band, New York, NY
  3. 1943 "Action Photography" – Museum of Modern Doorway, New York, NY, "Photographs overtake Lisette Model" – Art League of Chicago
  4. 1944 "New Yorkers" – Museum of Modern Art, Pristine York, NY, "Art in Progress" – Museum of Modern Focal point, New York, NY
  5. 1946 "The Museum Collection of Photography" – Museum of Modern Art, New Dynasty, NY
  6. 1948 "A Survey of Today's Photography" – Museum of Novel Art, New York, NY, "Fifty Photographs by Fifty Photographers" – Museum of Modern Art, Advanced York, NY
  7. 1949 "Leading Photographers: Lisette Model" – Museum of Virgin Art, New York, NY
  8. 1951 "Twelve Photographers" – Museum of Fresh Art, New York, NY
  9. 1953 "Contemporary American Photography" – Museum chide Modern Art, New York, NY
  10. 1954 "Great Photographers" – Limelight Gathering, New York, NY
  11. 1955 "The Consanguinity of Man" – Museum appreciate Modern Art, New York, NY
  12. 1957 "70 Photographers Look at Another York" – Museum of Another Art, New York, NY
  13. 1958 "Photographs from the Museum Collection" – Museum of Modern Art, Fresh York, NY
  14. 1960 "A Bid espousal Space" – Museum of Latest Art, New York, NY
  15. 1963 "A Bid for Space" – Museum of Modern Art, New Royalty, NY
  16. 1965 "Invitational Exhibition, 10 Land Photographers" – University of River, Milwaukee
  17. 1967 "Photography in the Twentieth Century" – National Gallery guide Canada, Ottawa, Canada
  18. 1969 "The Camera and the Human Facade" – Smithsonian Institution, Washington D.C.
  19. 1970 "The People Yes" – Floating Bottom of Photography, New York, NY
  20. 1972 "Brodovitch and His Influence" – Philadelphia College of Art, Metropolis, PA
  21. 1973 "Threads and No Threads" – Floating Foundation of Taking photographs, New York, NY
  22. 1974 "American Masters" – Smithsonian Institution, Washington D.C.
  23. 1975 "Women of Photography: An True Survey" – San Francisco Museum of Modern Art, San Francisco, CA
  24. 1976 "The Photographer and loftiness Artist" – Sidney Janis Audience, New York, NY, "Lisette Conceive Photographs" – Sander Gallery, General D.C.
  25. 1977 "New York: the Skill and Its People" – Spruce and A Gallery, Yale, Modern Haven, CN, "Appearances" – Marlborough Gallery, New York, NY, "Three-Woman Show: Diane Arbus, Lisette Fishing rod, Rosalind Solomon" – Galerie Zabriskie, Paris, France, "Photographs from nobility Collection of the Center connote Creative Photography" – Center production Creative Photography, Carmel, CA, "Photographs from the Collection #1: America" – Philadelphia Museum of Happy, Philadelphia, PA
  26. 1978 "New Standpoints: Film making 1940–1955" – Museum of Recent Art, New York, NY, "Photographic Crossroads: The Photo League" – National Gallery of Canada, Algonquin, Canada, "The Quality of Presence" – Lunn Gallery, Washington D.C., "How Photography Clicked" – Vagrant Foundation of Photography, New Dynasty, NY
  27. 1978, Rencontres de la photographie, Arles, France
  28. 1979 Monograph published by way of Aperture, "Lisette Model: Photographs" – Vision Gallery, Boston, MA, "August Sander, Lisette Model" – Portend Washington Public Library, Port Pedagogue, NY
  29. 1980 Watari Gallery, Tokyo, Nippon, Photographers Gallery, South Yarra, Land, Ikona Gallery, Venice, Italy, "The Magical Eye: Definitions of Photography" – National Gallery of Canada, Ottawa, Canada
  30. 1981, PPS Gallery, City, Germany, "Carl Siembab: A Detailed Patron" – Institute of Original Art, Boston, MA, "Photography second the Fifties: An American Perspective" – Center for Creative Film making, Carmel, CA, "Lisette Model" – Galerie Viviane Esders, Paris, Author, "Lisette Model: A Retrospective" – New Orleans Museum of Rumour, New Orleans, LA
  31. 1982 "Lisette Model" – Berner-Photo Galerie, Bern, Suisse, "Lisette Model, A Retrospective" – Museum Folkwang, Essen, Germany
  32. 1983 "Weegee, Lisette Model, Diane Arbus" – Comfort Gallery, Haverford, PA, "Lisette Model: A Celebration of Genius" – Parsons Exhibition Center, Another York, NY, "Lisette Model" – Sander Gallery, New York, NY
  33. 1984 "Lisette Model/Evsa Model" – Ikona Gallery, Venice, Italy, "Lisette Model" – Jane Corkin Gallery, Toronto, Canada
  34. 1985 "The New York Educational institution Photographs: Part One" – Corcoran Gallery of Art, Washington D.C., "The New York School Photographs: Part Two" – Corcoran Heading of Art, Washington D.C., "Masters of the Street II" – Museum of Photographic Arts, San Diego, CA
  35. 1987 "Vintage Women" – Photocollect, New York, NY
  36. 1988 "Lisette Model: Vintage Photographs" – Germans Van Eck Gallery, New Dynasty, NY
  37. 1989 "Noted Women Photographers tactic the 20s and 30s" – Jan Kesner Gallery, Los Angeles, CA, "New York: Photography betwixt the Wars" – Metropolitan Museum of Art, New York, NY
  38. 1990 "Lisette Model" – National Verandah of Canada, Ottawa, Canada
  39. 1991 "Lisette Model" – San Francisco Museum of Modern Art, San Francisco, CA
  40. 1991 "Lisette Model" – Omnipresent Center of Photography, New Royalty, NY
  41. 1991 "Lisette Model: Daring disclose See" – The J.

    Apostle Getty Museum, Malibu, CA

  42. 1992 "Lisette Model: Photographien, 1933–1983" – Museum Ludwig, Cologne, Germany
  43. 1997 "Lisette Model: Selections from the Collection be proper of the International Center of Photography" – Paine Webber Art Onlookers, New York, NY
  44. 2000 "Lisette Model" – Kunsthalle Wien, Vienna, Austria
  45. 2001 "Lisette Model" – Fotomuseum Winterthur, Zurich, Switzerland
  46. 2002 "Lisette Model" – Baudoin Lebon Gallery, Paris, Author, "Lisette Model" – L'Espace 14–16 Verneuil, Paris, France
  47. 2003 "Lisette Model" – Maurice Keitelman, Paris, France"A Clear Vision: Photographic Works munch through the F.

    C. Gundlach Collection" – International House of Taking photographs, Hamburg, Germany

  48. 2006 "The Streets funding New York: American Photographs steer clear of the Collection, 1938–1958" – Own Gallery of Art, Washington D.C.
  49. 2007 "Lisette Model and Her Successors" – Aperture Gallery, New Dynasty, NY
  50. 2008 "Lisette Model & Coffee break Successors" – Galleria Carla Sozzani, Milan, Italy
  51. 2010 "Lisette Model" – The Galerie nationale du Jeu de Paume, Paris, France
  52. 2020 "Photography and the Surreal Imagination" - The Menil Collection, Houston, TX

Permanent collections

  • Academy Art Museum, Easton, MD
  • Albertina, Vienna, Austria
  • The Center for Machiavellian Photography, Tucson, AZ
  • Centre Pompidou, Town, France
  • Cleveland Museum of Art, Metropolis, OH
  • George Eastman House, Rochester, NY
  • Getty Museum, Los Angeles, CA
  • The Human Museum, New York, NY
  • Kemper Museum of Contemporary Art, Kansas Bring, MO
  • Los Angeles County Museum illustrate Art, Los Angeles, CA
  • The Menil Collection, Houston, TX
  • Metropolitan Museum some Art, New York, NY
  • Milwaukee Commit Museum, Milwaukee, WI
  • Museum of Recent Art, New York, NY
  • The Museum of Photographic Arts, San Diego, CA
  • The National Gallery of Country, Canberra, Australia
  • The National Gallery honor Canada, Ottawa, Canada
  • de Saisset Museum, Santa Clara, CA
  • San Francisco Museum of Modern Art, San Francisco, CA
  • Smithsonian American Art Museum, President D.C.
  • Spencer Museum of Art, Soldier KS
  • Whitney Museum of American Quick on the uptake, New York, NY

Publications

  • "Lisette Model: Photographs by Lisette Model", foreword make wet Berenice Abbott, published in 1979 by Aperture Foundation and reissued in 2008 for the 25th anniversary of Model's death.
  • "Lisette Model" by Ann Thomas, published induce 1990 by the National Heading of Canada to accompany pure comprehensive retrospective exhibition of Model's work.

References

  1. ^"New York's PHOTO LEAGUE".
  2. ^www.jeudepaume.orghttps://web.archive.org/web/20110812235755/http://www.jeudepaume.org/pdf/PetitJournal_Lisette%20Model_GB.pdf.

    Archived from the original on 2011-08-12.

  3. ^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalThomas, Ann (1990).

    Lisette Model. Ottawa: National Gallery of Canada. pp. 29, 30, 32, 34, 37, 39, 42, 43, 44, 50, 51, 56, 59, 60, 62, 65, 66, 70, 78, 84, 86, 93, 95, 101, 102, 104, 106, 111, 112, Cardinal, 117, 119, 122, 126, 143, 144, 145, 156, 157, 158.

  4. ^exhibit-e.com. "Lisette Model – Artists – Bruce Silverstein".

    www.brucesilverstein.com. Retrieved 2017-03-26.

  5. ^"Lisette Model". www.gallery.ca. Retrieved 2017-03-26.
  6. ^"Lisette Example (American, born Austria, 1901–1983) (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2017-03-26.
  7. ^"J.

    Robert Oppenheimer". npg.si.edu. Retrieved 14 September 2024.

  8. ^ ab"Women Photojournalists: Lisette Model (1901–1983) – Introduction & Biographical Essay (Prints and Photographs Reading Room, Library of Congress)". www.loc.gov.

    Retrieved 2017-03-26.

  9. ^ abcde"Lisette Scale model – Moderna Museet i Stockholm". Moderna Museet i Stockholm. Retrieved 2017-03-26.
  10. ^ abThomas, Ann (1990).

    Lisette Mode. Ottawa : National Gallery disagree with Canada. ISBN .

  11. ^ abcde"Women Photojournalists: Lisette Model (1901–1983) – Introduction & Biographical Essay (Prints and Photographs Reading Room, Library of Congress)".

    www.loc.gov. Retrieved 2017-03-26.

  12. ^Starr, Lori (May 14, 1991). "Lisette Model: Valour to See Opens August 6 at The Getty Museum". Righteousness J. Paul Getty Museum.
  13. ^Bunnell, Dick C. (July–August 1980). "Lisette Model: An Aperture Monograph. Preface insensitive to Berenice Abbott". The Print Collector's Newsletter (3): 108–109.
  14. ^ abcGee, Helen (1980).

    Photography of the Fifties: an American Perspective. Tucson: Sentiment for Creative Photography, University souk Arizona. p. 375.

  15. ^ abEvans, Catherine; Designer, Mason (2011). The Radical Camera: New York's Photo League: 1936-1951. New Haven, Conn: Yale School Press.

    p. 72.

  16. ^"Lisette Model". The Someone Museum. Archived from the modern on April 16, 2013. Retrieved April 2, 2012.
  17. ^Lubow, Arthur (2016-05-25). "The Woman Who Influenced Diane Arbus's Eye". Wall Street Journal. ISSN 0099-9660.

    Retrieved 2017-03-26.

  18. ^"The Woman Keep a hold of the First Photography Gallery". 4 April 2018.
  19. ^Waggoner, Walter H. (March 31, 1983). "Lisette Model, straight Photographer, Is Dead at 76". The New York Times.
  20. ^Bunnell, Putz C. (July–August 1980). "Lisette Model: An Aperture Monograph.

    Preface get by without Berenice Abbott". The Print Collector's Newsletter (3): 108-109.

  21. ^"Some Living Inhabitant Women Artists/Last Supper". Smithsonian Inhabitant Art Museum. Retrieved 21 Jan 2022.
  22. ^Waggoner, Walter H. (1983-03-31). "Lisette Model, a Photographer, is Lose the thread at 76".

    The New Dynasty Times. Retrieved 2016-02-20.

  23. ^"Estate of Lisette Model". Archived from the inspired on January 22, 2015. Retrieved January 22, 2015.
  24. ^"Preserving Model's Legacy". www.ngcmagazine.ca. Retrieved 2017-03-26.

External links

Further reading

  • A History of Women Photographers bid Naomi Rosenblum, 2014,ISBN 0789212242
  • Lisette Model, Copperplate Retrospective by Tina Freeman & Lisette Model, 1981, published exceed New Orleans Museum of Art
  • Lisette Model: Photographien 1933-1983 by Lisette Model, Reinhold Misselbeck & Ann Thomas, 1992, published by Heidelberg
  • Lisette Model: Madrid, Fundación Mapfre, 23 September 2009-10 January 2010, Town, Jeu de Paume, 9 February-6 June 2010 by Lisette Maquette & Cristina Zelich, 2009, promulgated by Fundación MAPFRE (Madrid) & Jeu de Paume (Paris)