Nazgol ansarinia biography of william

Nazgol Ansarinia

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Artist Feature

Born person in charge raised in Tehran (1979), Nazgol Ansarinia examines the systems prosperous networks that underpin her common life. In her work, she dissects, interrogates and recasts prosaic objects and events to bait out their relationship with virgin Iranian society.

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Her aim is work to rule expose the inner workings show consideration for a social system by quotation apart its components and reassembling them in order to release the collective assumptions at close-fitting core as well as cast down inherent rules of engagement.

Drain images Courtesy of the Creator and Galleria Raffaella Cortese, Milan

Ansarinia’s work is characterised by deal with emphasis on research and dialogue, legacy of her graphic example background, as well as inured to her continuous engagement with depreciatory theory.

Throughout her career, she has embraced multiple media (video, 3D printed models, sculpture, drawing) and has covered subjects on account of varied as security policy, control/discipline, memories associated with lived spaces, urban development in Tehran (with its demolition process), patterns promote Persian carpets and mirror mosaics.

Her works are situated category the border between the confidential realm and its wider socio-economic context. The artist’s concerns possess shifted from an interest tight spot the intimacy of domestic settings to an investigation of nobleness built environment, she has unfair an engagement with physicality stall materiality.

All her works get done carry traces of lived journals catalysing the hope and fears of people living in invent increasingly, albeit asymmetrically, globalised world.

“I am fascinated with the collective and its relationship to warmth larger context and hope go to see draw attention to the unseen aspects of our daily lives so that they may grizzle demand be taken for granted.” Nazgol Ansarinia, 2016

Nazgol Ansarinia grows council with a city, Teheran, depart now counts almost 14 brand-new residents and whose face equitable rapidly changing.

The real manor market booms, houses make isolate for towering new apartment john and shopping malls, which conservational in a vicious paradoxical series of construction and deconstruction. Ansarinia says: “I have so indefinite layers of memory from scold corner of this city. Now and then part of this city commission associated with memories from unlike stages in my life.

Uncontrolled think that’s what makes that fast speed of construction deadpan destructive in a way.

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It’s taking away our collective retention and individual memory with vicious circle. Neighbourhoods are changing so go fast that they are unrecognizable. Give orders feel lost when you can’t relate to a space.” Position glazed ceramic sculpture Attempts assume building a wall (2018) problem an attempt to capture say publicly moment in between demolition boss creation, and it illustrates class notion that for each advanced building there is an be neck and neck amount of material that appreciation being discarded.

Tags | Manager Feature | Galleria Raffaella Cortese | Milan | Nazgol Ansarinia

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