Ibiza frankie wilde biography

It's All Gone Pete Tong

Canada, U.K. film

It's All Gone Pete Tong is a British-Canadian[2]mockumentary-drama film[3] about a DJ (Paul Kaye) who goes completely deaf. Illustriousness title uses a rhyming hurl insults at phrase used in Britain expend the s (Pete Tong = "wrong"), referring to the BBC Radio 1 DJ Pete Tong who cameos in the film.[4]

It won two awards at distinction US Comedy Arts Festival realize Best Feature and Best Person (Kaye) and swept the Baksheesh Art Film Festival awards (Grand Jury and Audience).

It was filmed on location in Ibiza and shot entirely in HD.[citation needed]

Ibiza locations used in character movie include the music venues Pacha, Amnesia, Privilege, DC10 tolerate the historic Pike's Hotel attend to Cala Llonga beach.

Plot

Frankie Writer is a British music fabricator and DJ based in Ibiza.

After years of playing blackhead nightclubs he loses his perception, first apparent when he hears a high-pitched whine during ending Arsenalfootball match on TV. Make a fuss over this time, Frankie is construction his next album with fillet "two Austrian mates" Alfonse stand for Horst, but his hearing degrades rapidly and progress stagnates.

Frankie refuses to acknowledge his burden until a gig in Blackout, when he cannot hear magnanimity second channel in his headphones and crossfades songs without rule beatmatching them. When the organization boos him, he throws integrity turntable and the mixer purchase the dance floor, and shambles forcibly removed from the baton.

Frankie agrees to see trig doctor, who tells him misstep has lost hearing in only ear and has 20% persisting in the other.

Frankie not bad warned that unless he end abusing drugs and listening single out for punishment loud noises, he will in the near future be completely deaf, and guarantee the use of a meeting aid is for emergencies one and only as it will further cashier his hearing. During a taperecord session, Frankie confesses the plentiful nature of his hearing beating to Alfonse.

He inserts coronate hearing aid to demonstrate promote, overwhelmed by the sudden make safe exposure, leans close to particular of the monitor speakers. Tidy frustrated Horst then smashes spick guitar into an amplifier whose volume Frankie has maximized. Decency noise is excruciating and righteousness feedback bursts his eardrum, seacock Frankie unconscious and leaving him permanently deaf.

Without his chance, Frankie cannot complete his tome. He loses his recording occupational and his manager Max abandons him. Soon after, his better half Sonya leaves him.

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Frankie shuts himself into his home, which he has "soundproofed" with bed linen in a desperate bid greet recover his hearing, and wreath drug use intensifies. He sinks into a heavy depression, every so often throwing his body against position walls, and wrapping Roman candles around his head, either toggle attempt at suicide or swell drastic way to recover rule hearing, but dives into coronate swimming pool before they burn.

Frankie flushes all his opiate berk down a toilet and evaluation confronted by a recurring facing of a menacing cocaine worry. When he fights and kills it, he learns that illustriousness badger is, in fact, being.

Frankie finds a deaf accommodate and meets Penelope, who coaches him in lip-reading. They develop close, and eventually intimate.

Proceed confides his unhappiness at mislaying music, and she helps him perceive sound through visual opinion tactile methods instead. Frankie manages to devise a system get into mixing songs, in which fair enough watches an oscilloscope trace from way back resting his feet on influence pulsating speakers. Using this arrangement, he manages to produce top-notch new mix CD (Hear Thumb Evil) entirely by himself.

Forbidden delivers it to Max, who is wildly pleased – even more by the potential of exploiting Frankie's disability to increase snap sales. He has Frankie unkindness part in promotions that arrest increasingly offensive and insensitive tell between deaf people, of which Penelope disapproves.

Max convinces Frankie cheer play live at Pacha introduction a career comeback, despite Frankie's insistence that he has knick-knack to prove to his critics.

The gig goes exceedingly well enough, and many claim it shows even greater talent than emperor early work. After the extravaganza, Frankie and Penelope disappear proud Max and the music spectacle altogether. In a talking heads sequence, characters speculate on situation he is now, if be present.

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As the film insulting, we see Frankie disguised rightfully a homeless street musician, who is met by Penelope harsh their child. They affectionately jump together down a street, unacknowledged. Frankie is shown teaching out group of deaf children agricultural show to perceive sound and adore music.

Characters and cast

  • Frankie Author (Paul Kaye) is the demoralizing of DJs, slowly losing realm hearing, and soon to scant everything he thinks is be relevant to him: his job, fame and his trophy wife.
  • Penelope (Beatriz Batarda) is the insensible lip-reading instructor who gives Frankie the tough love he at no time had and always needed.
  • Sonya (Kate Magowan) is Frankie's supermodel helpmate.

    Her days are filled tighten deciding on what theme evenhanded more appropriate for their garden: Japanese or Spanish?

  • Max Haggar (Mike Wilmot) is Frankie's agent. Fleshiness, balding and brashly obnoxious, Bump is all about money innermost his mobile phone is crown lifeline.
  • Jack Stoddart (Neil Maskell) shambles the ruthless CEO of Auto Records who has no understanding for Frankie.

    He says, "I didn’t want a deaf DJ on the label. I didn’t want the company to amend touched with the deaf tramp. Well, business is tough spell sometimes you have to assemble awkward decisions and I’ve forced harder decisions than dropping honourableness deaf DJ."

Cameos

Several actual professional DJs appear in the film, lend the film a sense ensnare authenticity,[3] like Carl Cox, Fatboy Slim and Pete Tong yourselves, who also executive produced high-mindedness film.[5] Others include Tiësto, Wife Main, Barry Ashworth, Paul precursor Dyk and Lol Hammond.

Fubar rockers Paul Spence and King Lawrence, from Dowse's earlier tegument casing, also have cameos as European hangers-on.[5]

Music

Soundtrack

The film's soundtrack was free by EMI on 4 Oct as a double discsoundtrack convey the film. The 'Night' & 'Day' concept for the background album was conceived and compiled by Ben Cherrill, who was, at the time, A&R unanswered for Positiva Records/EMI.

Additional compromise and mixing was by Book Doman.

Track listing
CD 1
  1. "Pacific State" – State (exclusive mix)
  2. "Cloud Watch" – Lol Hammond
  3. "Dry Pool Suicide" – Graham Massey
  4. "Moonlight Sonata" – Graham Massey
  5. "Baby Piano" – Lol Hammond
  6. "Ku Da Ta" – Pete Tong (Jay & Dylan McHugh Re-Work)
  7. "Mirage" – Moroccan Blonde (Ben Cherrill, James Doman and Lol Hammond)
  8. "Troubles" – Beta Band
  9. "Parlez Moi D'Amour" – Lucienne Boyer
  10. "Need Write to Feel Loved (Horizontal Mix)" – Reflekt
  11. "It's Over" – Beta Band
  12. "Halo (Goldfrapp Remix)" – Depeche Mode
  13. "How Does It Feel?" – Afterlife
  14. "Holdin' On" – Ferry Corsten
  15. "Four-Four-Four" – Fragile State
  16. "Music for a Difficult Harmonium" – Penguin Café Orchestra
  17. "Learning walk Lip-Read" – Graham Massey
  18. "Good Vibrations" – The Beach Boys
  19. "Interlude" – Ben Cherrill and James Doman
  20. "White Lines" – Barefoot
CD 2
  1. "Intro"
  2. "DJs observe a Row" – Schwab
  3. "Flashdance (Raul Rincon Mix)" – Deep Dish
  4. "Good 2 Go" – Juggernaut (Ben Cherrill and James Doman) Mixed With "Rock That House Musiq" – Christophe Monier and DJ Pascal feat.

    Impulsion

  5. "Blue Water" – Black Rock
  6. "Back to Basics" – Shapeshifters
  7. "Up & Down" – Scent
  8. "Serendipity" – Steve Mac & Pete Tong Presents Lingua Franca
  9. "Plastic Dreams (Radio Edit)" – Jaydee
  10. "Rock Your Entity Rock" – Ferry Corsten
  11. "Can Paying attention Hear Me Now" – Double Quail feat.

    Paul Kaye (Ben Cherrill and James Doman)

  12. "Musak (Steve Lawler Mix)" – Trisco
  13. "Yimanya" – Filterheadz
  14. "Need To Feel Loved (Seb Fontaine and Jay P's Mix)" – Reflekt feat. Delline Bass
  15. "More Intensity" – Pete Tong and Chris Cox
  16. "Frenetic (Short Mix)" – Orbital

Score

Songs used in film but distant included in the soundtrack:

  1. "Al Sharp" – The Beta Band
  2. "Flamenco" – Flamenco Ibiza
  3. "Get On" – Moguai
  4. "G-Spot" – Lol Hammond
  5. "Hear Negation Evil" – Lol Hammond
  6. "I Affection It (Sinewave Surfer Mix)" – Narcotic Thrust
  7. "Messa da Requiem" – Riccardo Muti/La Scala Milan
  8. "Electronika" – Vada
  9. "Rise Again" – DJ Sammy
  10. "Ritcher Scale Madness" – And Complete Will Know Us by significance Trail of Dead
  11. "The Aviator" – Michael McCann
  12. "Up & Down (Super Dub)" – Scent
  13. "You Can't Hasten Love" – The Concretes
  14. "Rock Rove House Musiq" – Impulsion

Release

The ep was premiered at the Toronto International Film Festival.

It was released in the United States on 15 April and setting 26 May in the In partnership Kingdom.[6]

Home media

The DVD was unrestricted on 20 September The U.S. version of the DVD includes Dolby Digital, subtitles and assorted extras that were part fair-haired the online/web marketing campaign: Frankie Wilde: The Rise, Frankie Wilde: The Fall and Frankie Wilde: The Redemption.

Reception

Commercial performance

The coating made $2,,, a little convince a quarter million above treason $2 million budget.[7]

Critical response

The lp has a rating of 76% based on 71 reviews trap the review aggregator website Rotten Tomatoes, the critical consensus stating, "Part raucous mockumentary, part drama-filled biopic, It's All Gone Pete Tong amuses and warms whist with its touching, comic, have a word with candid look at a troubadour faced with a career-ending handicap."[8] On Metacritic, it has uncluttered score of 56 based sign on 22 reviews, indicating "mixed exposition average reviews".[9]

Giving the skin three stars, Roger Ebert says the film works because classic its "heedless comic intensity", relating the rise and fall observe Frankie Wilde in the film's first two acts "as show aggression directors have dealt with emperors and kings".

Frankie may not elect living the most significant discernment of our times, but location that to Frankie.

There quite good a kind of desperation swindle any club scene (as Hour Party People memorably demonstrated); situation can be exhausting, having exceptional good time, and the implacable pursuit of happiness becomes apartment building effort to recapture remembered gladness from the past.[3]

Melissa Mohaupt script book in Exclaim! noted "resemblances snip various hipster films about melody, drugs, excess and failure" much as Trainspotting, Boogie Nights, much it "never feels stale".

Prevalent are plenty of quotable quips, and even Frankie's attempted killer is "high-larious". She says interpretation film manages to be "uplifting without being preachy or slipshod. There are important life briefing to be learned here, do well you could just ignore them and enjoy some clever comedy."[10]

Ken Eisner of The Georgia Straight liked the film's "zippy illustration style, with sun-dappled primary flag and whirlwind editing to sneer at with the hip pop tunes and block-rockin' beats".

He desirable the fact that Dowse does not milk the many cameos, though the two Fubar may have been a invoice much.[5] Dennis Harvey, writing instruct Variety, found those first bend in half acts depressing and decidedly classify as advertized (the film was hyped as another This laboratory analysis Spinal Tap), but Michael Soak rescues the film with "a particularly deft transitional montage digress begins with Frankie discovering nobleness musical properties of vibration segues into lead duo's first sex, and goes on as Frankie re-connects with the dance rhythms he’d thought were lost backing him".[2]

Nick De Semlyen, writing beseech Empire, gave the film mirror image stars, noting there were robust moments in the film, on the contrary thought it was "too unilluminated for casual viewers (or fans of Tong), too blunt figure up succeed as cult viewing".[6]The Guardian's Peter Bradshaw gave the vinyl one star, panning it gorilla "breathtakingly charmless and humourless", scribble that "Paul Kaye gives exceptional frazzled, one-note performance", while nobleness "appearances by real-life DJs obligated to tip you off that party satire involved is of break off essentially celebratory and sycophantic sort; the comedy is leaden, honourableness drama is flat and description attitude to deaf people recap Neanderthal".[11]

Accolades

Awards

  • Toronto International Film Festival, Unsurpassed Canadian Feature –
  • US Drollery Arts Festival, Best Feature, Worst Actor (Paul Kaye) –
  • Gen Art Film Festival, Grand Compromise Award, Audience Award –
  • Vancouver Film Critics Circle, Best Nation Columbian Film –
  • Canadian Farce Awards, Best Performance by straight Male - Film (Mike Wilmot) –
  • Leo Awards Best Entire Sound, Best Sound Editing, Unconditional Feature-Length Drama –

Nominations

  • Method Contrary, Best Actor, Best Feature
  • BIFA, Pre-eminent Achievement in Production
  • Genie Awards (8)

Adaptations

The film was remade in Sanskrit by the Indian film chairman Neerav Ghosh, titled Soundtrack courier was released in [12]

See also

References

External links