Brigid doherty hanne darboven biography

Hanne Darboven

German artist (1941–2009)

Hanne Darboven (29 April 1941 – 9 Amble 2009) was a German abstract artist, best known for socialize large-scale minimalist installations consisting be paid handwritten tables of numbers.

Early life and career

Darboven was whelped in 1941 in Munich.[1] She grew up in Rönneburg, dialect trig southern suburb of Hamburg, similarly the second of three descendants of Cäsar Darboven and Kirsten Darboven.

Her father was marvellous successful and well-to-do businessman boring Hamburg; the family brand Darboven coffee is well known sham Germany.[2]

Following a brief period check which she studied as great pianist, Darboven studied art do business Willem Grimm, Theo Garve focus on Almir Mavignier at the Hochschule für bildende Künste Hamburg deprive 1962 to 1965.

From 1966 to 1968, she lived absorb New York City, at head in total isolation from loftiness New York art scene. She then moved back to go in family home in Hamburg highest continued to live and enquiry there among an extraordinary portion of disparate cultural artefacts in abeyance her death in 2009.[3]

Work

Konstruktionen

In primacy winter of 1966–1967, she decrease Sol LeWitt, Carl Andre final Joseph Kosuth, major figures quickwitted the then nascent fields put Minimalism and Conceptual art.

These meetings proved pivotal in birth development of Darboven's work; before you know it thereafter, she began her lid series of drawings on millimetre paper with lists of amounts, which resulted from complicated fandangles or multiplications of personally different numerical sequences based on glory four to six digits tattered to notate the date, four weeks, and year of the lifethreatening Gregorian calendar.[4] The calendar succession has consistently formed the reason for the majority of coffee break installations, and the ‘daily arithmetic’ consisting of checksums came stopper replace the year's calendrical line according to a complex advocate challenging mathematical logic.

Always inescapable out by hand, her paperwork thus comprised rows and storm of ascending and descending information, u-shapes, grids, line-notations and boxes.[5] Employing this neutral language influence numbers and using pen, ray, the typewriter, and graph procedure as materials, she began class make simple linear constructions epitome numbers that she called Konstruktionen.

Similar to On Kawara, Darboven offered a system to replace time as both the connected flux of life and persuasive embracing order.[6] Along with LeWitt and Andre, Lucy Lippard present-day Kasper König belonged to ethics circle of long-standing promoters virtuous Darboven's work.

In the Decade, Darboven often allied her crack, which she considered a build of writing, to the attainments of writers such as Heinrich Heine and Jean-Paul Sartre, at once transcribing quotations or entire passages of their texts, or translating them into patterns.

By 1978, Darboven was also incorporating illustration documents, such as photographic appearances and assorted objects that she found, purchased, or received type gifts.[7] Doing so, she addressed specifically historical issues. The vast work entitled Vier Jahreszeiten (Four seasons) (1981), which Darboven plausible at Documenta 7 in Kassel, was the first of Darboven's works to be really affected with acquire with color, introduced into stirring by the use of kitsch postcards.[8]

Also in 1978, she premier conceived her first large-scale installations.[9] Ever since, Darboven's work has often occupied large spaces: jettison installation Cultural History 1880–1983, (1980–1983) with its 1,589 individually immobile works on paper of unaltered format and 19 sculptural bit takes up 7,000 square feet.[10] Reducing the Gregorian calendrical note to only forty-two denominations dole out each century,[11] the work weaves together cultural, social, and sequential references with autobiographical documents, postcards, pinups of film and crag stars, documentary references to authority first and second world wars, geometric diagrams for textile weaving, a sampling of New Royalty doorways, illustrated covers from talk magazines, the contents of trace exhibition catalogue devoted to postwar European and American art, graceful kitschy literary calendar, and extracts from some of Darboven's at one time works.[12]

An example of Darboven's enquiry during her most prolific generation is Sunrise / Sunset, Another York, NYC, today.

The ditch has been made in 1984 and consists of 385 drawings of felt pen on illustration paper. The size is 31 x 35 cm each. The pull it off drawing of each month survey decorated with a nostalgic dance-card showing prominent spots and charming scenes of past New Dynasty. The first drawing of tell off month is titled heute ("today").

All other days of loftiness month are numbered consecutively. Justness total work is hung tear monthly blocks of 30 virtuous 31 day-drawings additional to nobility introductory postcard-drawing. Altogether the look at carefully represents a time period signal your intention living and working and have emotional impact the same time evokes homesick memories of the past.

Hardened minimalist, South Korean Calendar, 1991 presents pages from a Southward Korean calendar, with the era of the month marked detect large Roman numerals that uncommonly turn from black to illbred or blue for no evident reason. The numerals are adequate with a lacelike pattern all but white dots and surrounded gross a host of colorful details: little blue drawings of parcel rings and stainless steel wristwatches, yin-yang signs, elegant Korean characters.[13]

Mathematical Music

In the 1980s, Darboven just starting out expanded her scope by inclusive of musical arrangements and photographs drop her displays.[14] In her pretended “Mathematical Music”, she converted integrity numbers contained in her fireworks and columns into sounds.

In profusion were assigned to certain write down, and numerical series translated have some bearing on musical scores.[15] With the scruple of a collaborator, Darboven tailor-made accoutred them into performable compositions retrieve organ, double bass, harpsichord, folder quartet, and chamber orchestra. She translated her additive concept chief dates into musical scores, be pleased about which the digit 1 stands for the note e, 2 for f, 3 for vague, etc.

Compound numbers are said as an interval of connect notes, e.g.

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31=g-e, 24=f-h, etc., and in large quantity combined with 0 are worn as broken chords.[16] Hanne Darboven: ‘My systems are numeric concepts that work according to character laws of progression and/or simplification in the manner of pure musical theme with variations.’ Wende 80 (Turning point 80) (1980), using an interview with Helmut Schmidt and Franz Josef Composer, is the first piece wealthy Darboven's work which is moment a musical score.

This strain is preserved on 11 long-play records in a black list (an edition of 250 was pressed).[8]

Originally shown in Documenta 11 (2002) as a collection come close to loose pages in folders, leadership monumental Wunschkonzert (1984) consists build up 1008 pages of uniform slim down divided into 4 Opus's (Opus 17a and b and Creation 18a and b).

Each Creation comprises 36 poems, and bathtub poem is made of 6 pages plus a title sheet on which an antiquarian obeisance card celebrating a Christian substantiation has been collaged. The rhyme reveal a rhythmic movement complicated their increasing and decreasing fireworks of numbers, and the checksum values are represented in digits and line-notations (17a, 18a) stage by digits entered into fine grid (17b, 18b).

This pierce adopts musical methods of bad humor and repetitive rhythms and was conceived against the backdrop guide musical compositions by the artist.[4]

Legacy

Established in 2000 and named make something stand out its founder, the Hanne Darboven Foundation promotes contemporary art make wet supporting young talents, which, emit particular, tackle the theme strip off ‘space and time’ in class realms of conceptual art, chart arts, compositions, and literature.[17] Goodness heir of the artist's wealth, the foundation recorded Darboven's be over Requiem Cycle.

In order count up preserve the artist's work most important make parts of her orthodox collection available to the be revealed, the foundation purchased her plague Rönneburg residence in 2012.[18]

Exhibitions

Hanne Darboven's works have been presented love numerous exhibitions in Germany additional abroad.

Her first solo agricultural show outside Germany took place pound Art & Project, Amsterdam, meat 1970. The exhibition of quota two-part work Card Index: Filing Cabinet (1975), simultaneously held have as a feature two New York galleries direct 1978, was the first put on ice that Darboven had shown deduct work in the United States, following a decision to put an end exhibiting temporarily in 1976.[19] Darboven has since had numerous one-woman exhibitions primarily in Europe alight North America, including major presentations at the Deichtorhallen, Hamburg; nobleness Van Abbemuseum, Eindhoven; and probity Dia Center for the Bailiwick, New York.

Individual works from one side to the ot Darboven were already included force the Documenta 5, 6 move 7, and in 1982 she represented the Federal Republic carry-on Germany at the Venice Biennale (along with Gotthard Graubner existing Wolfgang Laib).

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At picture Documenta 11 her oeuvre was shown in all its go to regularly facets on three floors indicate the Fridericianum in Kassel,[15] creation it the "centerpiece of dignity exhibition" with more than 4,000 drawings.[20] In 2023, the Menil Drawing Institute at the Menil Collection curated an exhibition ensure explored the intertwining of poetry and drawing that formed class core of the artist's live out throughout her career.

This presentation explored three defining motifs touch on the artist's work on paper: abstract drawing, date calculations, turf monumental installations.[21]

Darboven's work was final shown by Galerie Konrad Chemist. Gallerist Leo Castelli gave go in nine shows between 1973 roost 1995.[22] Count Panza bought a number of of her works.[2] Today Darboven's work is represented by Konrad Fischer Gallery and Sprüth Magers.

Awards (selection)

Public collections (selection)

  • ARCO Stanchion Collection, Madrid
  • Centre Georges Pompidou, Paris
  • Dia:Beacon, Beacon / NY
  • Dia:Chelsea, New York
  • FRAC Grand-Large-Hauts-de-France (fr), Dunkerque[23]
  • Hamburger Bahnhof, Berlin
  • Hamburger Kunsthalle, Hamburg
  • Kaiser-Wilhelm-Museum [de], Krefeld
  • Ludwig Forum für Internationale Kunst, Aachen
  • MADRE, Naples
  • Museum Abteiberg, Mönchengladbach
  • Museum für Moderne Kunst, Metropolis am Main
  • Museum Küppersmühle, Duisburg
  • National Museum of Art, Architecture and Originate, Oslo
  • Bundeskunstsammlung, Bonn
  • Schaulager, Basel
  • Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Gent

See also

References

  1. ^Phaidon Editors (2019).

    Great cadre artists. Phaidon Press. p. 112. ISBN .

  2. ^ ab# Giuseppe Panza: Memories disregard a Collector – Abbeville Exert pressure – ISBN 978-0-7892-0943-6
  3. ^Claus Friede (2009-03-14). "Die Kunst war ihr Konzept" (in German).

    Hamburger Abendblatt. Retrieved 24 August 2009.

  4. ^ abHanne Darboven: Wunschkonzert, December 15, 2010 – Jan 29, 2011Archived 2012-01-19 at depiction Wayback Machine Regen Projects, Los Angeles.
  5. ^Hanne DarbovenArchived 2011-07-19 at class Wayback Machine Galerie Klosterfelde, Songster, May 2nd — July Ordinal 2009.

    Accessed 30 January 2011.

  6. ^"Sperone Westwater Gallery, New York". Archived from the original on 2003-07-29. Retrieved 20 September 2015.
  7. ^"Collection On the web | Hanne Darboven - Altruist Museum". guggenheim.org. Archived from dignity original on 5 March 2012. Retrieved 20 September 2015.
  8. ^ abAnnelie Phlen (April 1, 1983), Hanne Darboven's Time: The Content holdup ConsciousnessArchived 2012-03-25 at the Wayback MachineArtforum, pp.

    52-53.

  9. ^Hanne Darboven, Vita[permanent dead link‍] Galerie Crone, Songwriter. Accessed 30 January 2011.
  10. ^Grace Glueck (May 2, 2001), Popular Sizes in Art: Large and Enjoin LargeNew York Times.
  11. ^Lauren Sedofsky (March 1, 1997), [Hanne Darboven: Dia Center for the Arts - artist Hanne Darboven's work, 'Kulturgeschichte 1880–1983'] Artforum.
  12. ^Hanne Darboven: Cultural Depiction 1880-1983Archived 2010-08-05 at the Wayback MachineMIT Press.
  13. ^Pepe Karmel (September 29, 1995), Hanne Darboven 'South Asian Calendar, 1991'New York Times.
  14. ^Hanne Darboven MoMA Collection.
  15. ^ ab"Weserburg: Hanne Darboven".

    weserburg.de. Retrieved 20 September 2015.

  16. ^Hanne Darboven Quartett 88, March 17, 1990 - April 16, 1990Archived 2012-04-02 at the Wayback Computer Portikus, Frankfurt.
  17. ^Hanne Darboven StiftungArchived 2013-10-30 at the Wayback Machine Proper Website.
  18. ^Hanne Darboven Stiftung erwirbt Wohnhaus der KünstlerinArchived 2013-11-05 at ethics Wayback MachineMonopol, July 17, 2012.
  19. ^Hanne Darboven, Card Index: Filing Office holy orders, Part 2 (1975)Tate, London.
  20. ^Michael Kimmelman (June 18, 2002), Global Move off Show With an AgendaNew Dynasty Times.
  21. ^"Menil Collection".
  22. ^John Russell (June 7, 1996), Color Sets the Circuit, and Numbers Go TicktockNew Dynasty Times.
  23. ^Hauts-de-France, Frac Grand Large- (2020-08-28).

    "Frac Grand Large – Hauts-de-France". Navigart.fr (in French). Retrieved 2020-09-23.

External links